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Carl and Paul had collaborated on the oratorio to celebrate the Royal Liverpool Philharmonic Orchestra’s 150th anniversary. In 1991 the first performance of Paul McCartney’s Liverpool Oratorio was conducted by Carl Davis in Liverpool Cathedral. By this time Carl Davis was on board and by coincidence rather than design this proved to be an excellent opportunity to revive a collaboration that had begun twenty five years previously. He laughed and added, “we couldn’t!”.įast forward two years and as we neared completion of the film we made contact with Paul’s office again. He stopped at a picture of the mangle in the scullery and recalled how he and his brother used to try and feed old 78rpm records through the rollers to see if they could get them through without breaking. We showed him some of the artwork for the film. I said it would be hand drawn animation but there would be 3D elements in it for vehicles, plances, and the mangle that Ethel uses for washing.
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We had a chat about the style of Ethel and Ernest. The track is called Walking In The Park With Eloise, and we suggested to him that it would be really nice to have it in the film. We talked about Paul’s father being a band leader, and how he composed a piece of music that Paul later recorded. They had both been grammar school boys, and their fathers were both auxiliary firemen in World War 2. Raymond and Paul found many connections as they chatted. This track eventually became In The Blink Of An Eye which we have used over the end credits. We were thrilled when he said he was.Īt the meeting he produced a CD of some music that he had been working on. So that connection, and Paul’s well known love of animation, encouraged us to believe that he might be interested. Raymond’s book ‘Fungus the Bogeyman’ had influenced Paul’s track Bogey Music on his 1980 album McCartney II. I had suggested to Raymond that he might write a letter to Paul to see if he was interested in composing a song for our Ethel and Ernest film.
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Raymond Briggs, Camilla Deakin, and myself met up with Paul McCartney in his Soho office on May 14th 2014. Roger Mainwood, film director, interviewed for The Telegraph, October 15, 2016įrom the liner notes of the soundtrack album: It is an incredibly moving and fitting ending to our film and we were very honoured to have both Paul and Carl on board. The song was recorded with Paul performing the lyrics and many of the instrument and string arrangements were conducted by Carl Davis and performed by the Chamber of Orchestra of London. Roger Mainwood, film director, interviewed for The Telegraph, October 15, 2016Ĭomposer and conductor Carl Davis, who worked with Paul McCartney on his 1991 Liverpool Oratorio, provided an original score for the film, and also contributed to “ In The Blink of An Eye“. This eventually became In the Blink of An Eye which we have used in the film. We met up and he produced a CD which included a track called Mum and Dad theme. It obviously worked and we were thrilled when Paul said he was interested. So I asked Raymond if he might write a letter to Paul to see if he was interested in composing a track for Ethel and Ernest, which he did on Fungus the Bogeyman headed paper! I knew that Paul McCartney was a big animation fan and I knew that Raymond Briggs’s book Fungus the Bogeyman had influenced Paul’s 1980s track Bogey Music. Paul McCartney’s song plays over the end credits of the film. The film is based on the 1998 graphic memoir of the same name written by Raymond Briggs, and follows Briggs’ parents, Ethel and Ernest, through their period of marriage from the 1920s to their deaths in the 1970s. “ In The Blink of An Eye” is a song written by Paul McCartney and featured on the soundtrack of the animated film “ Ethel & Ernest“, released in 2016.